I’ve been working steady on my paintings and I haven’t finished any of the big projects I’ve been working on but I decided to post some of the smaller things that have been going through my head. The painting titled “Cathedral” was started in 2012 and then left to collect dust since then. As it was painted on raw canvas I was worried about its stability over time so one of the reasons I went back into it was to try to improve its longevity. When painting on raw canvas there are several issues that can become apparent over time, if the fabric isn’t washed before being painted on it will discolour over time due to chemicals in the fabric. And, if you use anything but distilled water on the canvas that can also cause issues with stability over time. The single biggest problem with raw canvas is that it’s very hard to clean and accumulates dust over time. So, in addition to reworking the painting I made an effort to improve its durability. I’ve been moving away from raw canvas lately but continue to use it in certain circumstances.
The other painting in this post (the 18 x 24 untitled) is as durable as paintings can be. Stretched on washed and gessoed canvas, protected for support induced discolouration (SID) and then coated with two layers of a GAC-500 isolation medium and finally varnished with a UV resistant, removable polymer. Paintings done like this one are easy to clean and can last a very long time without changing at all.
And here are a few others I’ve been working on lately, they’re not really related to the others. One is acrylic on paper, just a sketch. The others are on rigid supports because of the heavy impasto techniques used, they’re an experiment in “mixed media.”
As it stands the gallery in this website is much smaller than it could have been. I entrusted photographic copies of my work to an external hard drive which recently died leaving me with only very few photos of paintings which have sold. Had these works been included, the gallery section of this website would be at least double the size but as it is I have no way to get them back (so much for the archival quality of digital media). This inconvenient reality means that I actually have to pick up the brush and start painting again.
The work that you see in this website’s gallery has two sources, first is the work that I kept because it was significant to me in some way, second is work that simply hasn’t sold in art galleries (I think 5 of the paintings in the gallery are sold). In a way it’s fortunate, it has severed me from my artistic past and fixed me firmly upon the future. All my past work is consumed in digital fire and a new body of work, built on the old foundation has now become possible. Misfortune is a golden opportunity.