Posts tagged “Paint

Preparing Your Canvas: Part 2, Acrylics

22 x 30 Acrylic on Raw Canvas. This painting is an example of the flexibility of acrylic paint on raw (unprimed)canvas. Even though the painting is old it is showing no signs of decay.

22 x 30 Acrylic on Raw Canvas. This painting is an example of the flexibility of acrylic paint on raw (unprimed)canvas. Even though the painting is old it is showing no signs of decay.

 

Acrylic paintings much less fragile than oil paintings. Acrylics are basically plastics, so using them on a canvas is like sealing that surface with plastic and can actually add to the longevity of the surface. For this reason it’s perfectly possible to use acrylics on raw canvas or other textiles without them negatively impacting the substrate. Gesso will still increase the life span of the painting but the acrylics will not eat away at the support like oils or solvents do. Additionally, many acrylics now come with a UV protective agent which helps to protect the painting from the¬†harmful effects of the sun.

22 x 30 Acrylic and Gesso on Raw Canvas. In this example the background blues are painted on raw canvas, the black is a coloured gesso which gives an additional dimension to the painting.

22 x 30 Acrylic and Gesso on Raw Canvas. In this example the background blues are painted on raw canvas, the black is a coloured gesso which gives an additional dimension to the painting.


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New Website

As it stands the gallery in this website is much smaller than it could have been. I entrusted photographic copies of my work to an external hard drive which recently died leaving me with only very few photos of paintings which have sold. Had these works been included, the gallery section of this website would be at least double the size but as it is I have no way to get them back (so much for the archival quality of digital media). This inconvenient reality means that I actually have to pick up the brush and start painting again.

The work that you see in this website’s gallery has two sources, first is the work that I kept because it was significant to me in some way, second is work that simply hasn’t sold in art galleries (I think 5 of the paintings in the gallery are sold). In a way it’s fortunate, it has severed me from my artistic past and fixed me firmly upon the future. All my past work is consumed in digital fire and a new body of work, built on the old foundation has now become possible. Misfortune is a golden opportunity.

11 x 14 Acrylic on Raw Canvas

“Pins and Needles” 11 x 14 Acrylic on Raw Canvas